Now Iāve lost two posts in a row. So I give up.
Thu, October 21 2004 Ā» Meta/Logistics
"A fast-paced, suspenseful dystopian picaresque, part Huck Finn and part bizarro-world Swiss Family Robinson..."
---Kirkus
Long-listed for the Frank O'Connor International Short Story Award and finalist for the Crawford Award. Title short story listed for the 2000 O. Henry award.
Thu, October 21 2004 Ā» Meta/Logistics
I know how that feels-imagine youād stayed up all night blogging one blog, but you never saved it. Bummer.
I donāt know if you meant for anyone to read your earlier, albeit less-polished post about speculative poetry and Jake Barry (Iāve got a syndicated feed from Livejournal), but I thought I might respond anyway.
I have no ostensible problems with whatever directions poetry may go in, but as I mentioned before with jazz, it can become so obscure as to become alienating. In a sense, Barryās choice of language mimicks Eliotās densely allusive āThe Wastelandsā so any criticisms of that work of Eliotās applies.
As for Ashbery, a talented poet, I find he works on such an edge of consciousness that he does not want anyone inside. Perhaps the feeling of feeling (of feeling?) is enough, but this stand-offish stance of keeping the reader at armās length does not completely warm.
On the other hand, there can be too much lucidity that we see thereās nothing there. I donāt, however, think thatās the main problem with speculative poetry. I think the main problem is having far more knowledge of speculation than of poetry.